Here are a series of Christmas themed designs of Alfred J. Kwak by Harald Siepermann and Hans Bacher from circa 1990. The illustrations were used for a Christmas card that was send out by Mad T Party, the advertisement company of Harald Siepermann, Hans Bacher, Jens Wiemer, Thomas Mossolff and Christian Schellewald.
Harald drew the sketches of the main characters from the television series and placed them in a composition. The final inking and colors were done by Hans Bacher.
The main villain of the television series Alfred J. Kwak is the crow Dolf de Kraai. Dolf is not really a common villain, like a vicious pirate or mean stepmother, that you often see in children television series. Since the television series starts when Alfred and Dolf are young, it shows more of the background of each character and their upbringing. In Dolf’s case it shows the origin of his actions as an adult later in the series, when he became the dictator of his country through his own founded political party called the National Crows Party.
Dolf is introduced in the series in episode 4. He is a classmate of Alfred, but they are no friends. In contrary, Dolf teases Alfred because he is a duck and has a mole as a father. A family situation that Dolf finds weird. However, his feelings towards this family situation might be more based out of jealousy since Alfred does get a stable upbringing from his loving father Henk de Mol, while Dolf on the other hand has a father who is an alcoholic and his mother died when he was very young.
Dolf’s father is a crow, but his mother a blackbird. Therefore Dolf is born with a yellow beak. Ashamed of his yellow beak, he colors it black every morning with shoe polish, to look completely black. Below are the sketches of Dolf’s father and mother by Harald Siepermann and the corresponding model sheets by Harald Siepermann and Hans Bacher.
Because of the unstable childhood, Dolf is always active in criminal activities. This becomes most evident when he starts his own political party called the National Crows Party, and becomes the dictator of Great Waterland. The different characteristics of Alfred J. Kwak and Dolf de Kraai play very well against each other and they often cross paths throughout the entire television series.
Below are some of Harald Siepermann’s sketches of a young Dolf de Kraai and the model sheet by Harald Siepermann and Hans Bacher.
Here are a series of illustrations by Harald Siepermann and Hans Bacher of Alfred J. Kwak. These space theme designs were part of the extensive collection of merchandise that was produced based on the successful Alfred J. Kwak television series. The inking of these illustrations were done by Hans Bacher based on the sketches of Harald Siepermann.
In 1993 Harald Siepermann worked on the movie Balto, the third animation feature from Steven Spielberg’s Amblimation studio. Balto was based on a true story about a husky dog named Balto who was the leader of a sledge dog team that, under difficult weather circumstances, had to transport medicine from Nenana, Alaska, to a little town called Nome, to save children from a deadly epidemic.
Once the production was launched the team was in need of additional storyboard artists. Hans Bacher, who was the Production Designer on Balto, recommended Harald Siepermann to the producers. While Siepermann is more known for his character designs, he also had a long resume as storyboard artist through his work for his Mad T Party company, his work on the duck Alfred J. Kwak, and on the Walt Disney/Steven Spielberg picture Who Framed Roger Rabbit.
In August 1993 Siepermann went to the Amblimation studio that was located in London, where he worked until the end of the year on the visualization of the script into a storyboard. Below are storyboard thumbnails of the scene were Balto meets the white wolf and is resurrected after he had fallen from a high cliff.
Throughout 1987 Harald Siepermann and Hans Bacher worked on the development of the second comic book about the adventures of Alfred J. Kwak, called Vissen in Troebel Water [Fish and Chips]. Harald Siepermann designed the characters and wrote the comic book, based on a theater play called Onder Water [Under Water] by Herman van Veen, and Hans Bacher did the inking and color design.
In this adventure Alfred J. Kwak is concerned about the situation of the herring, who are threatened by the new modern fishing ship of Kapitein Stoppel, which will immensely reduce the herring population.
The images below show the process of the making of the comic book, with as example pages number 6 and 7 of the comic, based on what is in the Harald Siepermann Archive. In these pages Alfred J. Kwak and Henk de Mol are on the beach relaxing after their adventure in the first comic book. The sun makes way for the rain. In the distance they see a new ship being launched into the water and they decide to have a closer look.
Siepermann drew the page layout with in each panel a rough sketch of the drawing. On a new paper he drew for each panel a more detailed sketch.
Once the sketches were completed Hans Bacher did the inking of the entire page and provided it with color. Next to the (rough) sketch Siepermann often wrote the corresponding text of the characters. Once the text was clear and finalized, Siepermann wrote it in a script. The comic book publisher would added the text later in the text balloon of the finished color page.
Today is the 100th birthday of Nelson Mandela, leader of the activities against the Apartheid regime that dominated South Africa for decades. The topic Apartheid also plays a part in Harald Siepermann’s television series Alfred J. Kwak.
In the series Alfred J. Kwak befriends the Wana family, four black ducks who escaped their homeland, where there is the Apartheid regime that is run by white geese. Father Kwa and mother Blanche fight against this regime and therefor the police wants to arrest them. Alfred arrange a permit for the Wana family so they can stay in his country, Great Waterland. Now the children Winnie and Tom are safe in Great Waterland, Kwa and Blanche decide to go back to their country to continue their activities against the Apartheid. Alfred accompanies Kwa and Blanche in their home journey and spent several days there. In these days Alfred learns about the discrimination and the oppression of the white geese against the black ducks.
The story arc runs over the three episodes, from episodes 27 to 29. When the episodes premièred in 1989 there was still the Apartheid regime in South Africa and Nelson Mandela was still in prison.
Below are several character designs by Harald Siepermann from these episodes…
…and the model sheets by Harald Siepermann and Hans Bacher.
The summer has started. Here are a series of holiday/Hawaii themed illustrations for the Alfred J. Kwak merchandise. The ink of these illustrations was done by Hans Bacher, based on sketches by Harald Siepermann.
Harald Siepermann and Hans Bacher had worked on the entire production design of the television series Alfred J. Kwak – characters, backgrounds, props, logo’s, etc. Once the series premiered in 1989, it became an immense success and a merchandise phenomenon, especially in the Netherlands and Germany. It generated tons of requests for exclusive merchandise designs. A work load that landed on the shoulders of Siepermann and Bacher.
Here are some German merchandise designs. These ink illustrations are made by Hans Bacher based on sketches by Harald Siepermann.
Today the new book of Hans Bacher is published, called Vision: Color and Composition for Film.
Hans Bacher played an important part in Harald Siepermann’s career and his development as an artists. In 1981 Siepermann started to study Graphic Design at the Folkwang University in Essen. There he came under the wing of Hans Bacher who was an Assistant Professor and teacher of the course Animation and Comic Illustration. Bacher saw the extraordinary talent of the young Siepermann and started to teach him outside school hours as well.
When Bacher noticed Siepermann’s enthusiasm for a duck called Alfred Jodocus Kwak, he helped him develop the comic book. Alfred J. Kwak became a big success and what started with a comic book, evolved into a television series of 52 episodes and a merchandise phenomenon.
Hans Bacher worked for many years for Steven Spielberg’s Amblimation and Walt Disney. He was Production Designer on Balto, Mulan and Brother Bear. On each of these projects he invited Harald Siepermann to work on storyboard or character design.
In the spring of 1987 Harald Siepermann and Hans Bacher worked in London on character design of the weasels for Who Framed Roger Rabbit. When their work was finished, Animation Director Richard Williams asked if they wanted to go to Los Angeles and work on the storyboard for the ‘Escape from Toontown’ sequence. In this sequence Eddie Valiant, played by actor Bob Hoskins, finds himself in a cartoon world.
In June, Siepermann and Bacher flew to Los Angeles and worked for several weeks at the Amblin Studio, that was located at the Universal Studio lot. Nobody had worked on this sequence yet, therefore Siepermann and Bacher had to start from scratch. Director Robert Zemeckis gave them the task to draw and write down everything they could think of and to include a lot of Tex Avery jokes. Siepermann and Bacher drew the funniest storyboard that run up to 15 minutes. Eventually only 45 seconds was used in the final version of the film. Among these seconds was also the elevator scene with Droopy.
“What a great movie and what a great experience that was,” commented Harald Siepermann years later. “Remember, this was way before computers and we did it as we went along. Wonderful times… I may sound like a war veteran here, but those were great times. Think of it: just a few years ago, I had been a student of Graphic Design, now I was right in the heart of Hollywood, in Spielberg’s office.”
Below is a part of the storyboard by Harald Siepermann and Hans Bacher.
Click here for a post with more information about the Escape from Toontown storyboard from the wonderful blog of Hans Bacher.